In her thesis, the artist/reseacher Emilia Schlosser investigates folds (in textiles) to create a new approach within curatorial methods. Moving at her own pace and by referencing Deleuze and Haraway among others, she invents a way of fabricating context using the example of Lotte Reimanns work "Temptation or Dr. de Clérambault". In close collaboration with the author, we developed a book referencing the concepts of non-linearity and constant recontextualization.
pausing the gaze,
connecting it to something else,
making the pages move
and the mind wander,
finding it again